February222012
nedhepburn:

Nigel Van Wieck | The Q Train

nedhepburn:

Nigel Van Wieck | The Q Train

art 

October182011

siemprefiestanuncasiesta:
This is a grave from the Victorian age when a fear of zombies and vampires was prevalent. The cage was intended to trap the undead just in case the corpse reanimated.

siemprefiestanuncasiesta:

This is a grave from the Victorian age when a fear of zombies and vampires was prevalent. The cage was intended to trap the undead just in case the corpse reanimated.

(Source: thenotebooktoremember, via curiositykilledtheneko)

3PM
3PM
August92011

40 literary terms you should know

nevver:

  1. Aphorism
  2. Apostrophe
  3. Applicability
  4. Bete noire
  5. Bildungsroman
  6. Bowdlerize
  7. Byronic hero
  8. Caesura
  9. Death of the author
  10. Denouement
  11. Didactic
  12. Epigraph
  13. Epistolary
  14. Fin de siecle
  15. Foil
  16. Hamartia
  17. Heresy of paraphrase
  18. Hubris
  19. Humours
  20. In medias res
  21. Intertextuality
  22. Irony
  23. Literary agent hypothesis
  24. Magic realism
  25. Malapropism
  26. Meiosis
  27. Meta
  28. Mise en scene
  29. Picaresque
  30. Purple prose
  31. Roman a clef
  32. Scene a faire
  33. Sobriquet
  34. Syllogism
  35. Synecdoche
  36. Tranche de vie
  37. Trope
  38. Ubi sunt
  39. Unreliable narrator
  40. Verisimilitude
    → definitions
August52011

skepttv:

3D to 4D shift

via keplereleven:

3D to 4D shift

A wonderful explaination of the 4th dimension by Carl Sagan.

In physics and mathematics, the dimension of a space is roughly defined as the minimum number of coordinates needed to specify every point within it. For example: a point on the unit circle in the plane can be specified by two Cartesian coordinates but one can make do with a single coordinate (the polar coordinate angle), so the circle is 1-dimensional even though it exists in the 2-dimensional plane. This intrinsic notion of dimension is one of the chief ways in which the mathematical notion of dimension differs from its common usages.

There is also an inductive description of dimension: consider a discrete set of points (such as a finite collection of points) to be 0-dimensional. By dragging a 0-dimensional object in some direction, one obtains a 1-dimensional object. By dragging a 1-dimensional object in a new direction, one obtains a 2-dimensional object. In general one obtains an n+1-dimensional object by dragging an n dimensional object in a new direction. Returning to the circle example: a circle can be thought of as being drawn as the end-point on the minute hand of a clock, thus it is 1-dimensional. To construct the plane one needs two steps: drag a point to construct the real numbers, then drag the real numbers to produce the plane.

Consider the above inductive construction from a practical point of view — ie: with concrete objects that one can play with in one’s hands. Start with a point, drag it to get a line. Drag a line to get a square. Drag a square to get a cube. Any small translation of a cube has non-trivial overlap with the cube before translation, thus the process stops. This is why space is said to be 3-dimensional.

High-dimensional spaces occur in mathematics and the sciences for many reasons, frequently as configuration spaces such as in Lagrangian or Hamiltonian mechanics. Ie: these are abstract spaces, independent of the actual space we live in. The state-space of quantum mechanics is an infinite-dimensional function space. Some physical theories are also by nature high-dimensional, such as the 4-dimensional general relativity and higher-dimensional string theories.

In mathematics, the dimension of Euclidean n-space E n is n. When trying to generalize to other types of spaces, one is faced with the question what makes E n n-dimensional?” One answer is that in order to cover a fixed ball in E n by small balls of radius ε, one needs on the order of ε−n such small balls. This observation leads to the definition of the Minkowski dimension and its more sophisticated variant, the Hausdorff dimension. But there are also other answers to that question. For example, one may observe that the boundary of a ball in E n looks localy like E n − 1 and this leads to the notion of the inductive dimension. While these notions agree on E n, they turn out to be different when one looks at more general spaces.

A tesseract is an example of a four-dimensional object. Whereas outside of mathematics the use of the term “dimension” is as in: “A tesseract has four dimensions,” mathematicians usually express this as: “The tesseract has dimension 4,” or: “The dimension of the tesseract is 4.”

Although the notion of higher dimensions goes back to René Descartes, substantial development of a higher-dimensional geometry only began in the 19th century, via the work of Arthur Cayley, William Rowan Hamilton, Ludwig Schläfli and Bernhard Riemann. Riemann’s 1854 Habilitationsschrift, Schlafi’s 1852 Theorie der vielfachen Kontinuität, Hamilton’s 1843 discovery of the quaternions and the construction of the Cayley Algebra marked the beginning of higher-dimensional geometry.

The rest of this section examines some of the more important mathematical definitions of dimension.

(Source: youtube.com, via elvis-shrugged)

7PM
7PM
hoarr:

setyoursails:

Long-exposure shots in St. Petersburg, Russia turns people into ghosts.

Creepy.

hoarr:

setyoursails:

Long-exposure shots in St. Petersburg, Russia turns people into ghosts.

Creepy.

August42011
“There’s a thin line between crazy people and the rest of us. I mean, we all have voices in our heads. Our parents are in there, our doubts, our fears, our desires. And just like crazy people, we all struggle to know which voice to listen to.” Dead Like Me (via sweet-tea-with-lemon)

(via dan632)

July262011

Start telling the stories that only you can tell, because there’ll always be better writer’s than you and there’ll always be smarter writers than you. There will always be people who are much better at doing this or doing that - but you are the only you.

Tarantino - you can criticize everything that Quentin does - but nobody writes Tarantino stuff like Tarantino. He is the best Tarantino writer there is, and that was actually the thing that people responded to - they’re going ‘this is an individual writing with his own point of view’.

There are better writers than me out there, there are smarter writers, there are people who can plot better - there are all those kinds of things, but there’s nobody who can write a Neil Gaiman story like I can.

A bit of writing advice from Neil Gaiman. (via faramirs)

(via dan632)

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